Biggest Boobs Of Bollywood

Revolutionary Road


Sam Mendes parece tener un don especial para retratar el sinsentido de la vida cotidiana, la apatía que la sociedad present in the individual case, that feeling of "emptiness", so well expressed Kevin Spacey in American Beauty . In Revolutionary Road , the protagonist is no longer a man without a woman, April Wheeler ( Kate Winslet ), who to save her relationship with her husband and escape from a monotonous and dreary life, proposes to go to Paris with the idea of \u200b\u200bstarting from scratch and get all that for being stuck can not reach.
all a plea for personal development beyond the conventions on easy and comfortable life, Revolutionary Road is a smart movie that portrays an unhappy couple soberly destroyed sentenced to one another. We can say that the actions of both ( Leonardo DiCaprio and Kate Winslet ) are impeccable, and not in vain Kate was awarded a Golden Globe and an Oscar for their work.


Title in English:
Revolutionary Road Original title: Revolutionary Road
Year: 2008
Country: States. United
Director: Sam Mendes
Screenplay: Justin Haythe (Novel: Richard Yates)
Music: Thomas Newman
Cinematography: Roger Deakins
Cast: Leonardo DiCaprio
, Kate Winslet Kathy Bates, Michael Shannon, Kathryn Hahn, David Harbour, Dylan Baker, Richard Easton, Zoe Kazan, Jay O. Sanders, Max Casella
producer: co-production US-UK, DreamWorks / Paramount Vantage / BBC Films
Length: 119 me.

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because we like being scared


cinema of fear or terror is based on a single, simple premise: let them go bad at the viewer. Hence, actually the argument itself is not the most important film.
Why the monster is there, or where it comes from or why it attacks humans and is not vegetarian, are other issues that are irrelevant.

That said, some people we like to be scared. There are many people addicted to horror movies. And these are the more good the better and more aware frighten us, but if you feel fear is not a nice feeling ....
why we have this behavior, bordering on masochism?


There is no clear explanation on this issue. The first thing that all the studies show is that fear is a primitive emotion, that powers the most basic of human brain, so to speak, our brain operates at an animal level, instinctive.
addition, high voltage states produce a hormone, adrenaline, which activates the whole nervous system, and prepares us to act very quickly to an unexpected danger. But what matters most is that adrenaline can stimulate the segregation of dopamine, the hormone responsible for the feeling of wellbeing. So it may be pleasant to be scared.

But there are other explanations more psychological phenomenon.
The first is that these situations of terror, real not allow people to emulate an extreme situation, and recreate in their own response. Or what is the same, take the body to a very high stress level and yet trying to maintain control (not worth screaming or running out of film, of course ...)

The second explanation is somehow related to the first, and suggests that horror films allow people plain and simple, forget their problems, and for a brief moment into perspective. Well, obviously, to a hungry zombie, anything that is not their own survival, lost quite valuable. This helps explain the boom in horror films of the 30, just at the time of the Great Depression. If now the people are going as bad as then, would be correct to say that the rooms again right?

Whatever, the truth is that horror fans will continue to see these movies and having a bad (and good) with them.

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the secret behind the door



In many movies it is the importance of the unconscious. From Remember (Spellbound) Hitchcock, even without going further, the film's last post, Shutter Island. The secret behind In door of Frizt Lang, re-use the same idea. Lang also making some other references to Hitchcock's work (specifically, Rebecca), regarding the situation of the protagonist, and some of its main characters. The plot presents
Celia (Joann Bennett), a newlywed heiress with a mysterious man she has known only a few days earlier in Mexico.
Despite being madly in love with him, shortly after his strange behavior, leaving it at the first chance, with excuses later discovered false, will be ready to end the marriage. Despite his performance, Celia decides to give him another chance, and when it comes to the house where they both go to live, she discovers her husband has a morbid hobby: collect rooms where murders have been committed.

Not living up to other works of the finest works of Lang, this is an interesting thriller where the director makes a brief and appropriate use of visual elements that are crucial to the plot (the candles, the key , the room ..) by completing a simple but powerful story. The expressionistic style of staging and the music of Miklos Rozsa, the pair will dosing growing tension is resolved satisfactorily, and less destructive than it would have been expected. A film to enjoy again the particular Lang form of address.


Title in English: The secret behind the door
Original title: The Secret Beyond the Door
Year: 1948
Country: United . U.S.
Director: Lang Frizt
Screenplay: Silvia Rufus King & Richards (History: Rufus King)
Music: Miklós Rózsa
Photo: Stanley Cortez (B & W)
Starring: Joan Bennett, Michael Redgrave, Barbara O'Neil, Anne Revere, Natalie Schafer, Anabel Shaw, Rosa Rey James Seay, Paul Cavanagh, Mark Dennis
Producer: Diana Production Company
Duration: 99 min.